Ghana’s comedy scene is undergoing change as younger talents turn to digital platforms to reach wider audiences. Among them is Isaac Kofi Dzokpo, popularly known as Hon Ike, who is steadily carving a niche for himself as one of the promising new faces in digital comedy.

In an interview, Hon Ike appealed to corporate Ghana to play a stronger role in supporting the creative sector, particularly young comedians who face significant challenges in accessing resources to grow their craft.

“Comedy in Ghana has a lot of potential, but upcoming comedians need more than just passion. They need platforms, mentorship, and sponsorship,” he said.

“If corporate bodies partner with us, they can help shape the industry and create opportunities that benefit not just comedians but the country’s cultural landscape.”

He suggested that investment in comedy festivals, digital content sponsorships, and training programmes would go a long way toward boosting the sector.

“We need structured avenues where comedians can showcase their talent locally and internationally. That’s how we can compete on the global stage,” he added.

“At the end of the day, comedy is not just about laughter,” Hon Ike said. “It is also about reflecting society, raising conversations, and finding creative ways to make people think. With the right support, Ghanaian comedy can become a global force.”

Hon Ike’s skits, often drawn from everyday Ghanaian life, have earned attention for their humour and relatability. His short videos, which capture family disputes, neighbourhood interactions, and social issues with a comic twist, continue to resonate with audiences online.

Industry watchers say the rise of creators like Hon Ike reflects a larger shift in the comedy industry, with audiences moving from traditional live performances and theatre to digital-first storytelling. Mobile and social media platforms have become key spaces where new talents can connect directly with their fans.

Beyond digital content, Hon Ike has also featured in mainstream productions. He appeared in Netflix’s Beasts of No Nation and later starred in the Ghanaian comedy film Diamond Race.

These roles showcased his ability to move seamlessly between drama and comedy, establishing him as a versatile actor and not just an internet personality.

Beyond entertainment, Dzokpo is a journalist who covers politics, health, education, and the United Nations Sustainable Development Goals (SDGs). His dual roles in journalism and comedy reflect a growing trend in Ghana’s creative industry, where artists are increasingly involved in public discourse.